Tag Archives: vavino

Three 99s: Pichon Baron, Pichon Comtesse, and Mouton Rothschild

1999 has a rather low profile. It is certainly not considered a great vintage, but neither do people think of it as a poor one. The “received wisdom” seems to be that it is early maturing and on the light side.

I recently invited some American friends studying wine industry management at Bordeaux Sciences Agro to lunch for a double blind tasting.

My notes are cursory seeing as I was hosting a meal, but I still though they were worth sharing.

 

We started off with two Champagnes. The Bérêche Brut Réserve was wood-aged, which is not very common these days. The nose was pleasant enough, but the taste was rather one-dimensional and the oak added more hardness on the aftertaste than anything else. The 99 Laurent Perrier, on the other hand, was a beautiful wine, pretty much in its drinking window although it will age for many more years. The nose was biscuity, creamy, complex, and a real treat. The wine was also yummy on the palate with a long fine aftertaste. This was one of the most enjoyable Champagnes I’ve had in a long time.

 

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We enjoyed a bottle of 2001 Ch. La Tour Blanche with foie gras and toast. I have a soft spot for this vintage of La Tour Blanche because I spent a day picking grapes there in 2001 with my wife and son.  The wine had a lovely deep golden colour with bronze highlights. The nose was utterly classic with vanilla overtones to complement the rich botrytized fruit aromas. The wine was neither too heavy nor too sweet on the palate and it had a smooth, long aftertaste with some zippy acidity and a lovely touch of bitterness that kept it from being cloying. The consensus was that this 2001 was nearing the middle of its drinking window, but that it has a very long way to go.

Next up were the three 99s, all great growths from Pauillac.

 

 

The wine we liked most was Mouton Rotshchild, even though there was some greenness on the nose and we would have liked more flesh on the bones. I had enjoyed this same wine during Vinexpo 2015. That bottle was further along, even tired. This one was more vital, but still not a benchmark Mouton. It is fine to drink now and won’t gain much form further ageing.

99 Pichon Comtesse was, as expected, the smoothest and roundest of the three, but the nose had a carmel quality that I didn’t like very much. My honest impression is that the wine was starting to fall apart and that it was somewhat disjointed. This statement must be put in perspective, however, because the wine wasn’t actually poor – just a shadow of what a great vintage would be like.

99 Pichon Baron might have trumped Mouton except for some TCA on the nose. This wasn’t marked enough to leave off tasting the wine, but it certainly detracted from the overall impression. That’s a pity because the wine was much, much better on the palate than the Mouton, with a good tannic texture and structure missing from the other two wines. I’m inclined to think that a bottle without cork taint would have been the best of the lot.

 

A tasting of 17 wines from Saint Estèphe

Bruno Prats of Château Cos d’Estournel once told me that the Médoc should not be divided into communal appellations, but rather a string of gravelly rises running parallel to the Gironde, i.e. vertically rather than horizontally. The word he used, chapelet, also means rosary beads!
In fact, I have heard this explanation several times since from dyed-in-the-wool Médocains. It goes on the premise that a thick gravelly rise in Margaux and another in Pauillac have far more in common than such a terroir and a more pedestrian one in the same appellation…
Be that as it may, wine from each Médoc commune pretty much has its own reputation. Margaux is said to be “feminine”, Saint-Julien “fleshy”, etc. Adjectives often used to describe Saint Estèphe are “strong” and “virile”.
It has been a long time since I did an in-depth tasting of wines just from Saint-Estèphe, so I was delighted with the opportunity to go to one organized by Terre de Vins magazine. This was held on the 4th of February 2016.

Before I recount this experience, here is a look at total area under vine in each of the Médoc communal appellations:
Pauillac – 1,239 hectares
Saint-Estèphe – 1,212 hectares
Margaux – 1,500 hectares
Saint-Julien – 910 hectares
Moulis – 600 hectares
Listrac – 540 hectares
Saint-Estèphe has 43 independent winegrowers, 5 great growths (24% of total area under vine) and a cooperative, Le Marquis de Saint-Estèphe, with 17 members.
Here is a brief look at the 17 wines I tasted. I debated whether or not to post scores, but decided not to, largely because I am a tough grader and this may have given a misleading impression…
Every château served two vintages: the 2013 and one other of their choice. I decided to bypass the 2013s, not out of snobbery, but because with 40 estates present, I couldn’t taste everything.
Please also note that the color of young Bordeaux does not vary tremendously, so I have rarely mentioned it in my tasting notes.

 

 

The first wine I sampled upon arriving was at 2011 Ch. Le Crock (32 hectaresà. This was poured by Didier Cuvelier, who is also owner of Léoville Poyferré.
The wine had a well-focused, soft and fairly understated bouquet of brambly berry fruit. The wine seemed quite fluid on the palate with unaggressive tannin. Not a powerful wine and the aftertaste is shortish, but pleasing and with decent grip on the aftertaste. Will be enjoyable soon.
Next up was Château Cos Labory (18 hectares), where I tasted the 2010. I stopped to chat with M. Bernard Audoy, who also happens to be the president of the Saint Estèphe winegrowers association. Because of the number of people crowding around the tasting table, I did not have much time to talk to him, but was able to slip in one question: “What are the trends in your appellation, what has changed most over the past several years?” He thought a moment and replied, “The percentage of Merlot is now much greater than it used to be”. The 2010 Cos Labory I sampled had a very closed, almost mute nose, but there were some cranberry notes lurking there and little evidence of oak. The wine started out quite round and forthcoming and then shifted gears to show the estate’s hallmark tight and somewhat astringent tannin. Not the kind that will soften with age, in my opinion. It is remarkable how different this wine is from its neighbor, Cos d’Estournel.

 

I had never come across Château Martin, so I was interested to meet the owner, M. Jean-Marc Martin, and taste his 2010. He has 28 hectares in Saint Estèphe and 24 at in the next town over, Vertheuil (Cuvée La Marsaudrie). The nose showed a surprising amount of toasty oak and a touch of caramel. The wine was round, chewy, and very fresh on the palate. This freshness continues onto the aftertaste. Although very enjoyable now, the wine will also age. This was a nice discovery for me, the sort that makes tastings such as this worthwhile.

Tronquoy-Lalande is a 30 hectare estate that is the younger brother of Château Montrose (by the way, this was the only great growth I was not able to taste – they had run out of wine!). Their 2007 was on show. The nose was deep, but not wide – a fine bouquet in a minor key. Forest floor nuances accompanied the fruit and there was a very feminine side. I might have detected a hint of volatile acidity though. The wine was big on the palate, but somewhat hollow and short. It picked up, however, on the aftertaste. This is the kind of wine that would be a treat with food, but suffers when appraised on its own.

 

I had never tried Château L’Argilus du Roy (5 hectares) before so was intrigued by their 2012, which I quite enjoyed. It had a lovely berry nose: upfront, smooth, and sweet. The wine had good volume, even if there was a certain hollowness on the middle palate. There was a fine tannic follow-through and an attractive tangy finish. This was certainly one of the discoveries of the tasting for me. I’d like to see what this estate do in a better vintage and follow its progress, because the present owner, M. Martial Mignet, has not been in the driver’s seat for very long. He told me that Guy Savoy orders his wine, which is a pretty good recommendation.
Château Meyney (50 hectares) has long been a favorite of mine. Curiously, I’ve never visited and that is something I must remedy J. The 2012 did nothing to change my opinion about this dependably delicious wine. The nose was very classic Médoc: clean and bright with plenty of blackcurrant and a slightly spirit side. The wine was round and meaty on the palate with a lovely deep black cherry flavour and a great aftertaste showing good grip. A textbook Saint Estèphe and a very good wine that does not need to blush when compared with certain grands crus. The fact that the estate is owned by one of France’s biggest banks, the Crédit Agricole, doesn’t detract at all, as far as I’m concerned. They do good work.

I have dim memories of having tried Château Lavillotte (12 hectares) before, but definitely wanted to become reacquainted. Unfortunately, this was not one of the better wines that evening. The 2010 featured a nose that was overoaked and reminded me of smell of a cellar with all new barrels. The wine was light and, once again overpowered by the oak on the palate. It seemed inconsistent with its appellation and the great vintage it came from. I must give it another chance sometime.
Lilian Ladouys (45 hectares) is part of the Jacky Lorenzetti empire. This Franco-Swiss also owns fifth growth Château Pédesclaux in Pauillac and half of Ch. d’Issan in Margaux.

The 2012 Lilian Ladouys had a penetrating bouquet with a nice balance between fruit and oak. The wine was juicy and lively on the palate with a tangy finish. This is a modern Bordeaux in a crowd-pleasing and relatively early-maturing style. The aftertaste was more authoritative than expected, if a little bitter. As for ageing potential, I’d give this the benefit of the doubt.

2012 Château Ségur de Cabanac (7 hectares) was light in color with a pure, simple, understated bouquet. It was big and round, but somewhat dilute on the palate. The wine fell down in the middle and the tannin on the finish was rather unyielding. A sound wine, but not one of the best.

It is fairly rare for Médoc châteaux to produce a cuvee prestige, but La Haye (16 hectares) has one called Majesté, which I tasted from the 2012 vintage. This was a classic example of what happens when one tries too hard – the nose was patently overoaked. Of course, I don’t rule out the possibility that the fruit will emerge and possibly take the upper hand over time, but color me dubious. 2012 Majesté was big and reminiscent of a New World wine with strong tannin and a dry finish (oak). I prefer the regular bottling of Château La Haye.

 

The next table was Château Lafon Rochet (45 hectares), manned by Basile Tesseron. 2009 Lafon Rochet turned out to be one of the high points of the tasting. The nose displayed fine, well-integrated oak and a soft, enticing, complex nose of sweet fruit (raspberry). Just wonderful. The wine turned out to be unexpectedly soft on the palate and segued into a tremendously long aftertaste with an ethereal berry finish and superb tannin. Give it another 10 years. Unquestionably one of the top wines in its appellation – and the classified growths of the Médoc.

Another cru classé was next on the list: third growth Calon Ségur (50 hectares). A lot of changes are happening here. The estate was sold by the Capbern-Gasqueton family to Suravenir Assurances in 2012 and a new cellar is being built. However, the most important change is the wine itself, where a new, more supple and early-maturing style is being sought. The vintage I tasted, the 2008, is from before this change. The nose was toasty and brooding with a chocolatey side. Very promising. The wine was quite big, chewy, and assertive on the palate: my notes, written in the heat of the moment, say “an elegant steamroller”, whatever such expressions mean! The aftertaste was tight and seemingly uncompromising. Further ageing will nevertheless smooth this out considerably. On the whole, though, there was not quite enough richness to back up the tannic structure and the wine could be better balanced – a good, but not a great vintage for Calon Ségur.

 

Calon Ségur was followed by second growth Cos d’Estournel (91 hectares), a big hitter by anyone’s standards, and one of the great Médocs. The nose of the 2012 was quite classic and pure with exquisite hints of blackcurrant as well as cedar and graphite reminding us that Pauillac is just a stone’s throw away. The bouquet was both intense and subtle. The wine was very classy on the palate, with great acidity and balance. There was a pleasant dryness on the finish. The oak needs time to meld and this is on the light side for Cos, but it is nevertheless quite a successful wine from a middling vintage.

I was totally unfamiliar with Château Haut-Coteau (14 hectares), so I was eager to try the 2010 vintage. Redolent of wild berries, the nose was simple and pleasant but lacked a little oomph and definition. It was fairly enticing even so. The wine showed better on the palate, with juicy morello cherry flavours, although it dipped in the middle. The flavour picked up again on the aftertaste with plenty of (slightly rough) tannin. This wine will be ready to drink soon, but will never be altogether balanced.

 

2011 Château Petit Bocq (19 hectares) had an upfront, aromatic nose of ripe blackcurrant, vanilla, and mint that was reminiscent of New World Cabernets. However,there was too much oak, or this was overly toasted, or both… The wine seemed a little overdone on the palate, but it did have a tangy finish. Pity that the balance was off due to the type of barrel ageing, because this is an interesting wine. It just needs less oak.
The Château de Saint-Estèphe (12 hectares) is owned by the Arnaud family, who also own Château Pomys, also in Saint Estèphe. I tasted the 2011 which had a confected nose with spring flower, wild berry, and caramel nuances. It was also toasty and unfortunately already a little tired. The wine was simple, fruity, and ready to go on the palate, with a thirst quenching quality and an unexpected dry mineral aftertaste. Best enjoyed sooner rather than later.

The final wine (after 15 or 20, I’m just no good) was 2009 Beausite Haut Vignoble. The bouquet was on the indeterminate side, with forest floor overtones and a touch of greenness. Fortunately, the wine was much better on the palate with deep, rich, candied cherry flavours – one of those instances where there is a decided sensation of sweetness despite the absence of sugar. The aftertaste was on the dry side, but this was nevertheless a good wine that would be even better with food.

Can any sort of conclusion be drawn from the tasting? Broadly speaking, I would say that the wines were on the hearty, solid side. The crus classés confirmed their position as clearly superior. I haven’t mentioned price at all, but several of the crus bourgeois were very good indeed and the price puts them among the best values to be found in the world of wine today. 

 

 

Dinner at Domaine de Chevalier

Olivier and Anne Bernard were kind enough to ask me to dinner in the middle of the 2015 harvest, on the 1st of October. Jeffrey Davis, a Bordeaux-based American wine merchant and his Rumanian clients were also invited, as well as fellow blogger Izak Litwar from Denmark.

 

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Prior to dinner, the evening at Domaine de Chevalier started off with a tasting of all of Olivier Bernard’s white wines and wines in barrel.
Clos des Lunes is a very unusual wine – in fact, three different wines. This range of dry Sauternes is revolutionary in that Olivier Bernard set out from the start to make a wine exclusively of this type, rather than a “by-product” of Sauternes.
Furthermore, there is a movement afoot to grant an appellation other than Bordeaux to such wines.

The Bernard family now owns no fewer than 80 hectares in the Sauternes appellation, all devoted to making dry white wine.
Clos des Lunes comes in three categories: Lune Blanche, Lune d’Argent, and Lune d’Or. I tasted all three from the 2014 vintage.
It is important to understand that these wines are primarily Sémillon-based and produced from very old vines, blended with a little Sauvignon Blanc from the Graves and Sainte-Croix-du-Mont.
Lune Blanche is a slightly spicy, thirst quenching wine: crisp, fresh, and well-made – as one would expect from Olivier Bernard. I might add that this entry level wine is quite affordable and represents excellent value for money. It also receives no oak ageing and is ideal to drink quite young.
2014 Lune d’Argent is more complex, with a perfumed bouquet showing some sweetness and a kiss of mint. It is 25% oak-aged. There is more body on the palate, with fennel/angelica nuances. The flavour is a step up, and truly satisfying. In fact, a week prior to the tasting I had a party at my house. Thirty people came to lunch and 2014 Lune d’Argent was the white wine served to unanimous curiosity, followed by enthusiastic approval.
2014 Lune d’Or is fermented and aged in barrel, but the oak is not overwhelming. The bouquet also shows some beeswax overtones and the wine is silky and rich – but also perky – on the palate. There is a nice long aftertaste and a pleasant tanginess. This is more serious still and definitely one for the table rather than sipping.

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Next up was 2012 Domaine de la Solitude (65% Sauvignon Blanc and 35% Sémillon). The vineyard, in Martillac (AOC Pessac-Léognan), is owned by the sisters of the Order of the Holy Family, and Olivier Bernard has a long-term lease to make wine there. His 2012 white Domaine de la Solitude is quite fresh. Sauvignon Blanc predominates on the bouquet, and there is a good long aftertaste. It is useful to point out that this fine white Graves is in the very affordable price range. It also has medium-term ageing potential.
Château Lespault-Martillac (65% Sauvignon Blanc and 35% Sémillon) is a newcomer to the range. This little-known estate in the Pessac-Léognan appellation is owned by the Jean-Claude Bolleau family, who also granted a lease to the Bernard family. The latter’s first vintage was in 2009. The 2012 is promising and this is surely an estate to watch.
My previous post was about a tasting of second wines and, unlike some of my Bordeaux-loving friends, I have no prejudice whatsoever against this category of Bordeaux. This 2012 Esprit de Chevalier is truly a case in point. The bouquet is attractively fruity and sweet, and the wine is lovely on the palate with a great mineral finish. I gave it a score of 15/20, and I’m a very tough grader…

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The star of the line-up was, as expected, 2012 Domaine de Chevalier blanc, with a killer nose of citronella, mint, and a soupçon of camphor. It shows tremendous poise on the palate, a sophisticated dryness, and a great interplay between richness and minerality. Just lovely, and has many years ahead of it: 17/20. The 2011 Chevalier was not far behind. The color was noticeably deeper here and the ethereal nose very pleasing, but it seems to have less intrinsic potential than its young brother.

We then went to the cellar to taste wines in barrel – as well as the 2015, although I am certainly not qualified to evaluate wine at this stage! Anyway, the 2014 white Chevalier was very aromatic on the nose (I picked up some peppermint) and close in quality to the 2012. The 2014 red had a very deep color and a lovely, upfront, classy bouquet with an elegant, perfumed, feminine side. The wine was rich, and the fruit and oak very much in balance. There was a kind sensuality there that reminded me of fine Burgundy…

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Not only does Olivier Bernard make wine at an estate belonging to nuns, and one from the handkerchief-size vineyard at Bordeaux airport (!) called “La Croix de Guyenne”, but he also vinifies the grapes from an enormous single vine over two centuries old located in the middle of Bordeaux, at Place de la Victoire. We stopped to look at a barrel of the fermenting grapes, the rare Tchacouli Rouge variety (the white version is found in the Spanish Basque country).

Dinner

Olivier Bernard has an original game plan at dinner: the wines are served blind and the vintage always contains the last digit of the year in progress.
Therefore, everything we tasted ended in “five”.
It was up to us to guess the year!
I consider it rude to take notes at table, so please forgive the brief appraisals:

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We started off with a 1975 “Carte d’Or” from Veuve Clicquot in magnum as an apéritif. This was the firm’s prestige cuvée at the time. I quite like aged Champagne, what the French call le goût anglo-saxon, but I don’t like exaggerated oxidation. Fortunately, there was barely a trace of oxidation in this baby, which was utterly delicious. It was not just alive, but with all pistons firing. One often forgets that Champagne is one of the world’s great wines. This was superb, a monument, and it certainly dispelled my prejudice that Veuve Clicquot is on the heavy side.
The Champagne was followed by 4 flights of wines.

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The first included a delicious 1985 Puligny-Montrachet (village) from Leflaive and a 1985 Domaine de Chevalier blanc. We (collectively) found the right vintage by the process of elimination, but both wines were in fighting form and appeared much younger than their age. The Chevalier was wonderful and the village wine every bit as fresh – quite a tribute to the winemaker.

 

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My, oh my, were we ever off with the next wine! Old for sure, but which decade? We all failed, utterly. In our defense, how often does one serve you a glass of 1925? The Cos d’Estournel was still alive with a sublime subtlety and tertiary refinement to which words cannot do justice. We were all bowled over when the vintage was announced, partly because it is accepted practice to serve wines from young to old. But Olivier Bernard rightly felt that such an old wine would be overwhelmed after younger, more vigorous wines. I can remember a similar occasion when my friend Pascal Delbeck, manager of Château Ausone at the time, served an ancient Ausone before all other vintages.

In fact, this reasoning makes a lot of sense, and I thank Olivier for sharing such a rare wine.

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The second wine of the pair, 1955 Grand Puy Lacoste, was not in the greatest form. In fact, Olivier said that there was noticeable CO2 when he uncorked the bottle, to an extent he had never before seen in an old wine. The GPL was certainly drinkable, but paled in comparison to its partner.

These two Médocs were followed by a brace of 1975s, a vintage which the group (rather than me personally) guessed fairly quickly. 1975 was deemed to be a hard vintage, and one that did not quite live up to its reputation. However, the three wines were quite pleasurable at age 40, although arguably past their best. My preferences, in descending order, were for Léoville Las Cases, Domaine de Chevalier, and Cos d’Estournel. It was quite something to have two wines from Cos separated by half a century! It was also a tremendous treat to linger over these fine old Bordeaux. Once again, please forgive the lack of detailed notes.

The two wines with dessert were somewhat controversial. Also from 1975, the table seemed evenly divided between the Guiraud and the Gilette “Crème de Tête”. Certainly the Guiraud was the more classical of the two, but the Gilette seemed more dynamic and fruity.
Many, many thanks to Olivier Bernard for such an unforgettable evening. I might add this: Bordeaux (the city, the people, the wines…) is all about harmony and beauty and classic good taste. Sometimes this can err on the side of stiff formalism, stifling orthodoxy, or snobbishness. But the evening I spent at Chevalier was completely different: a fun time with people dressing down, cracking jokes, and being themselves alongside the rather serious business of tasting some of the world’s greatest wines.