Tag Archives: Bordeaux

2016 Château Lafite Rothschild

Lafite Rothschild

2016 Duhart Milon (67% Cabernet Sauvignon, 33% Merlot)
They always serve 4th growth Durhart Milon before the second wine of Lafite. Does that mean that it is less serious? No, but it is definitely lighter in body. The nose of the 2016 is soft, ethereal, reserved, and aristocratic with telltale pencil shaving aromas. The wine starts out with a very smooth, caressing mouth feel and goes on to show refined understated fruit. It is more elegant than powerful, and lacks richness. Medium-long fresh aftertaste with plush textured tannin.

2016 Carruades de Lafite (49% Merlot, 44% Cabernet Sauvignon, 5% Cabernet Franc, 2% Petit Verdot)
The nose is a little disappointing here, with some astonishing asparagus and bamboo shoot/Chinese vegetable notes! These dissipate somewhat with aeration, but the bouquet is not flattering at this stage. The wine is much better on the palate and fills out with a classy satiny texture and medium body. There is clearly good acidity on the finish, so it will undoubtedly age well, but will always remain on the delicate side.

2016 Lafite Rothschild (92% Cabernet Sauvignon, 8% Merlot)
Lovely trademark Lafite nose words cannot aptly describe. Suffice it to say that it is deep and subtle with an unmistakable violet element as well as muted graphite and coffee aromas. The wine has a gorgeous texture on the palate with the guts to back up the tremendous elegance. The aftertaste is deliciously long and aromatic. Check back in 2050! This Lafite proves that the best wines of the vintage, thanks to a streak of lively fresh acidity, have what it takes to age, as well as a unique balance between fruit, tannin, and acidity. This Lafite was one of the best wines I tasted all week. It’s nice not to be disappointed!

2016 Château Mouton Rothschild

 

 

Le Petit Mouton (64% Cabernet Sauvignon, 35% Merlot, and 3% Cabernet Franc)
Rich nose very typical of fine Pauillac. Classy “inky” and deep cassis aromas.
Starts out surprisingly soft on the palate, then changes pace to reveal the finest imaginable sort of acidity. Springwater-type purity with tertiary (already) red and black fruit. Interesting textured aftertaste. Lovely very long finish. A superb second wine.

Château Mouton Rothschild (84% Cabernet Sauvignon, 13% Merlot, and 3% Petit Verdot)
The bouquet is undefined and obviously too young. It is nevertheless ethereal, and promising. The wine is fresh, big, and sinewy on the palate with great blackcurrant flavors. Both tannin and fresh acidity – the hallmark of the 2016 vintage – spread out over the palate, working into a long, classic aftertaste with a velvety texture and cedar overtones. Bit dry on the finish. Mouton can be uneven, but this one is a real winner. It is a virile wine, on the massive side. Revisit a few decades from now.

Aile d’Argent (Bordeaux blanc) (53% Sauvignon Blanc, 46% Sémillon, and 1% Muscadelle)
Medium gold color. Showing a good aromatic equilibrium between grape varieties as well as some spearmint overtones and a certain waxiness. The wine is full-bodied on the palate and seems ever so slightly sweet (although it may not be). Medium body and some minerality on the finish. A good wine, but not in the same league as the reds.

2016 Château Latour

Château Latour stopped selling on a futures basis beginning with the 2012 vintage. They nevertheless invite professionals to taste the new vintage every year just like all the other châteaux. In addition, they pour older wines that have been released on the market on this occasion.

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2016 Pauillac (54.6% Cabernet Sauvignon, 38.9% Merlot, and 6.5% Petit Verdot): I must admit to once again being very taken with the Latour’s third wine. Even if rather subdued at present, it shows ripe, sweet, plummy, blackurrant preserves on the nose and reflects its terroir – a sort of apotheosis of Cabernet Sauvignon, even at this level and despite the much lower percentage of that variety in the final blend compared to the grand vin. It may be a tad weak on the middle palate and does not have quite the breadth of the latter, but is a very good wine.

2016 Les Forts de Latour (64.3% Cabernet Sauvignon, 35.3% Merlot, 0.4% Cabernet Franc)
This is unsurprisingly one step up from the Pauillac AOC. It has a nice, fresh, promising nose with a slight, not unpleasant herbaceousness, as well as a meaty quality. The wine is big and spherical on the palate and spreads out with considerable richness. Les Forts displays the 2016 sweetness along with decent grip, great acidity, and a dry mineral aftertaste. The finish is layered and velvety.

2016 Château Latour (92.9% Cabernet Sauvigon, 7.1% Merlot) – The bouquet is at the same time seductive and aristocratic, with violet overtones. Divine.
To say the least, the wine has good structure on the palate. Very much the “iron fist in a velvet glove”. Big and develops with self-assurance and grace. The tannins coat the teeth and the aftertaste goes on and on. If this is a monster, it is a very well-behaved one… Superb potential.

The three 2016s were followed by same three wines from older vintages that are in bottle and out on the market:

2012 Pauillac (43.9% Cabernet Sauvignon, 54.5% Merlot, and 1.6% Petit Verdot)
This wine looks older than its years and the rim is just starting to brown.
It already has a nose of lovely aged claret with a trace of cocoa. There is also a definite greenness, the effect of a late-ripening year, but it fits in somehow. The wine is somewhat thin and angular on the palate, but the Latour style is definitely there. Austere. A Bordeaux for Bordeaux lovers. Others might be put off. Relatively long aftertaste, once again mineral.

2011 Les Forts de Latour (61.5% Cabernet Sauvignon, 35%% Merlot, 0.5% Cabernet Franc, and 3% Petit Verdot)
Very deep youthful color with an uplifting bouquet of red fruit, menthol, and graphite. Already quite expressive at this age. The wine starts off round and attractive on the palate, then dips somewhat before coming back with a deep mineral aftertaste. There is a slightly dilute quality to the wine, but this is redeemed by the forceful aftertaste, which is very dry. Not the greatest balance, but bears the unmistakable stamp of Latour’s terroir.

2005 Château Latour (87% Cabernet Sauvignon, 12% Merlot, 0.5% Cabernet Franc, and 0.5% Petit Verdot)
This looks perhaps five years little older than its age (twelve years). The nose is redolent of luscious ripe fruit with captivating earthy nuances, accompanied by notes of pencil shavings typical of this estate as well as other Pauillacs. This graphite quality comes through on the palate as well. The taste is thirst quenching and follows through flawlessly with liquorice, blackcurrant, and wildberry flavors. There is a beautiful silky texture that leads into a majestic aftertaste with extremely fine-grained tannin and candied black fruit nuances. Last year, the 2000 Latour was poured and everyone was surprised how ready to drink it was. This 2005 is another kettle of fish. Give it another 10 years at least to make the most of it. Très grand vin.

Bordeaux Carménère – a resuscitated grape variety

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Carménère is a sort of mystery variety in Bordeaux. It is a member of the Cabernet family and at one time was widely planted in the Médoc, then all but disappeared after the phylloxera crisis.  The name comes from the French word “carmin”, meaning “crimson”. You can find various spellings, with accents going every which way or removed altogether, but it is indeed Carménère.

In 1994, there were just 10 hectares of Carménère in all of France. But that changed with the trend to stand out by making more complicated blends in Bordeaux, incorporating Petit Verdot, Sauvignon Gris, etc. That having been said, total plantings are still very small and varietal Carménère wines in Bordeaux are still like hen’s teeth.

Interestingly, the variety is widely grown in Chile, propagated from 19th century cuttings brought from France. There are now 9,000 hecares under vine there.

I bought my cuvée Carménère, AOC Bordeaux Supérieur from Château Recougne at the extraordinary boutique at the Maison de la Quality (Planète Bordeaux), home of the Syndicat des Bordeaux et Bordeaux Supérieur in Beychac-et-Cailhau.

The château belongs to the Milhade family, who also own Château Lyonnat in Lussac Saint-Emilion and Château Boutisse in Saint-Emilion. The name Recougne comes from “terra recognita”, meaning “terres reconnues”, which can be loosely translated by “land recognized (as being good)”.
Recougne is a huge estate (90 hectares) in Galgon, near Fronsac and just 5 km from Pomerol. Their Carménère represents only a tiny part of total production.

2012 is not the greatest vintage in Bordeaux, and I did not know what to expect from this Carménère. But I was pleasantly surprised. The thing that sets the wine most apart from other Bordeaux is its bouquet, with spicy and peppery overtones. The wine was also well-balanced and very drinkable, with dark fruit and liquorice nuances. This is an inexpensive fun wine, not only rare, but worthwhile and a great one to serve blind…

 

 

 

2016 Château Margaux

It was not quite the same to go to Château Margaux this year and not be greeted by Paul Pontalier. He was very special. Still, the show must go on… Philippe Bascaules, who worked with Monsieur Pontalier for over twenty years, had left Margaux to run Inglenook winery in the Napa Valley. He has since returned to Margaux as Managing Director while continuing to oversee winemaking at Inglenook.

 

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Pavillon Rouge (84% Cabernet Sauvignon, 13% Merlot, and 3% Petit Verdot)
N: Sweet upfront fruit in minor mode at this stage. Trademark characteristics of the estate. Pretty and already forthcoming. Some pine and camphor nuances along with crushed blackcurrant leaves and blackcurrant fruit.
P: Starts out rich, then seems a little thin. Some mintiness. A certain gumminess on the aftertaste rounds out the flavor profile. Great interplay between acidity and alcohol. Fresh, with spun-out aromatics. Fine-grained finish. Inherent softness hides significant tannin. Good length.

 

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Château Margaux (94% Cabernet Sauvignon, 2% Merlot, 3% Cabernet Franc, and 1% Petit Verdot)
N: Not worlds apart from the Pavillon Rouge. Once again sweet, but with a chocolatey element. Refined oak influence.
P: Fresh and superbly balanced. More oak and a much longer finish than the Pavillon. Fairly massive for Margaux with a tarry, sweet, mellow aftertate. Obviously needs time to find more focus and definition, and will age for decades.

 

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Pavillon Blanc (100% Sauvignon Blanc)
N: Subtle nose of lemon and oak with a little waxiness as well as hints of butter and butterscotch.
P: Fresh and oh-so-different from Pavillon Blanc of years ago. Much more lean and elegant. The round attack converges into a decided mineral, lemoney aftertaste with honey nuances. Very dry and appetizing. What the French call a vin de gastronomie because it will truly shine at table with fine cuisine. Still, the question to be asked is: how does it compare to a good Pessac-Léognac at a much lower price?

Overview of the 2016 vintage from the Institute of Vine and Wine Sciences (University of Bordeaux)

As we go into en primeur week, this is the first “official” look at the 2016 vintage now that the wines have begun to age:

Professor Laurence GENY and Doctor Axel MARCHAL
Institute of Vine and Wine Sciences of Bordeaux University, Oenological
in conjunction

V. LAVIGNE-CRUEGE*, E. GUITTARD*, N. DANEDE*, C. BAZ*, L. RIQUIER*, A. BARSACQ* and Ph. PIERI**

*Institute of Vine and Wine Sciences of Bordeaux
University, Oenological Research Unit

** Institute of Vine and Wine Sciences of Bordeaux
University, UMR 1789 Functional Ecophysiology and Genomics of the Vine, INRA (the French National Institute of Agricultural Research)

 It is always somewhat risky to announce a second great vintage in a row without appearing unduly optimistic. However, 2016 is unquestionably remarkable in Bordeaux, combining quality, quantity, and a very classic

Before looking into the effect of weather conditions on vine physiology and grape composition, let us once again consider the main parameters of a quality vintage in Bordeaux. A successful red wine vintage depends on five essential conditions:

(1) and (2) – Relatively quick flowering and fruit-set during weather that is sufficiently warm and dry to ensure good pollination and predispose towards even ripening,

(3) The gradual onset of water stress thanks to a warm, dry month of July in order to slow down and then put a definitive stop to vine growth no later than the beginning of véraison (colour change),

(4) Full ripening of the various grape varieties thanks to dry and warm (but not excessively so) weather in the months of August and September,

(5) Fine (relatively dry and medium-warm) weather during the harvest making it possible to pick the grapes in each plot at optimum ripeness without running the risk of dilution, rot, or loss of fruity aromas.

An incredibly wet spring was quite worrying for winegrowers at the time (danger of fungal diseases), but later proved to be a godsend. The soil’s water reserves were largely reconstituted, enabling the vines to cope with the exceptionally dry, hot summer. The grapes finished ripening during beautiful, relatively warm weather, with very little rain and cool nights. This unhoped for, simply incredible weather for Bordeaux made it possible to harvest deeply-coloured, aromatic grapes with beautiful acidity.

The best white wine terroirs in Bordeaux (limestone, clay-limestone, and clay-gravel soils) protected the vines from premature or overly severe water stress. Sauvignon Blanc grapes retained surprising aromatic freshness and acidity on these types of soils. The Sémillon grapes were also very successful: plump and tender.

The dry, hot summer of 2016 was also conducive to the perfect maturity of grapes in Sauternes and Barsac prior to the development of botrytis. This is a vital prerequisite for the quality of sweet white wines. Two short, but significant rainy periods triggered the development of noble rot starting in mid-September. This was followed by a return to an anticyclone propitious to concentrating the grapes. Very spread out in 2016, the harvest began in the latter half of September and finished in early November.

A mild and extremely wet winter, followed by a gloomy spring, caused a delay in vegetative growth.

 Although 2015 ended on a particularly dry, sunny note, the first three months of 2016 had above-average rainfall with accumulated precipitation close to 500 mm compared to the 30-year average of 230 mm.

Despite this grey, wet weather, temperatures were mild. In fact, the winter of 2016 was the most clement since statistics have been kept. No daytime sub-zero temperatures were recorded and there was frost on just five days.

That is why the first signs of vegetative growth (swelling buds) that appeared in late February gave the discomforting impression of extreme precociousness. However, temperatures dropped to the seasonal average starting on the 20th of February and even less in the second ten-day period of March.

Cold temperatures in March and waterlogged soils due to heavy precipitation in the early part of the year delayed bud break, which began the last week in March, one week later than usual, but earlier than 2010, 2012, 2013, and 2015 (and later than 2011 and 2014).

Cool temperatures beginning in late February lasted until May. As often happens at that time of year, there were alternating warm and cold periods, with a large diurnal temperature difference that did not facilitate regular vine growth. Despite the rather early bud break, the weather until late May delayed vine growth. Phenological development was also slower than usual. This situation was compounded in some regions by frost on the last three days of April that caused major damage in localised areas.

This meant that, by late May, precocious vegetative growth was no longer the case and phenological maturity was comparable to 2014.

A providential window of fine, dry weather at the beginning of flowering limited coulure

After a gloomy winter and rainy spring, there was some apprehension about flowering. Depending on the type of soil and its water retention capacity, some vines showed normal development, whereas others with a skimpy leaf canopy or on cold clay soil were behind. That explains why coulure (as in 2013) was feared.

Flowering began during rainy weather in the last days of May. However, there was a providential window of dry, warm weather between the 3rd and the 11th of June. Mid-flowering in our reference vineyards took place around the 11th of June, i.e. 8 days later than the 20-year average (Table II). The change in the weather fortunately avoided widespread coulure. The end of flowering in certain late-ripening plots was slightly perturbed by a a final rainy period that caused some millerandage.

Fruit set occurred 8 days later. Bunches were relatively homogeneous and the number of seeds greater than average – the sign of good pollination.

After three days of rain in mid-June, beautiful weather finally set in and proceeded to lasted for quite some time. This definitively changed the nature of the vintage. High temperatures in the last ten days of June enhanced berry development. These grew very quickly, and became “pea size” by the end of the month.

At this stage, the first two prerequisites for a good vintage, i.e. quick even flowering and fruit set, were fulfilled in most plots. Overall maturity was uniform with little coulure.

An exceptionally hot, dry summer leading to lasting water stress

The remarkably fine weather in late June continued into July and August.

A few very hot days around the 15th of June degraded the herbaceous aromas without bringing growth to a halt. Rainfall was infrequent and light, while temperatures were normal and there was slightly more sunshine than usual. (Table I). Due to heavy winter rains, the lack of water stress during vegetative growth accounts for the rather large size of the berries. Bunch closure took place about the 20th of July, as in 2011 and 2015.

The water balance in late July was not conducive to stopping vegetative growth definitively (figure 6) or triggering véraison in a significant way, except on clay-gravel soils. The grapes first began to change colour in the last days of July on terroirs prone to early ripening. However, seeing as vegetative growth had not completely stopped, véraison got off to a slow start. It took until the first week of August for colour change to become noticeably widespread.

Water stress was accentuated by the absence of rain. The situation was comparable to 2010 midway through véraison. These conditions were conducive to good structure in the cell walls and the accumulation of phenolic compounds, as well as facilitating the end of véraison.

A halt to vegetative growth, the 3rd condition for a great red wine vintage, was attained by mid-véraison. Although this occurred slightly later than hoped, colour change was complete enough for a perfect start to ripening.

The month of August featured real summer weather.  It was very hot (5°C more than usual) with a remarkable amount of sunshine (+30% compared to an average year). Fortunately, minimum night-time temperatures were close to the thirty-year average, and even less on some nights. This large diurnal temperature difference guaranteed the potential formation of anthocyanins, while limiting the degradation of aromas and acids in the grapes. The absence of major precipitation caused excessive water stress in some locations, especially in plots of young vines, ones with high yields, and ones with shallow soil.

Much-welcomed showers in early September gave a new boost to ripening

In late August, a few instances of scorching were noticed in vines that had undergone excessive leaf thinning and everyone began to wonder about the danger of inhibited ripening. A heat wave arrived in early September, with average temperatures of 30-32°C. The first 13 days of September were the hottest since 1950, reaching a record 37°C in Sauternes on the 12th of September.

A storm arrived from the Basque Country late in the afternoon of the 13th of September. It rained throughout Bordeaux the following night, with varying intensity depending on the region. A depression lasting three days brought as much as 40 cm of rain in some parts of Bordeaux.

However, the sun returned on the 20th of September and, with it, fine weather that lasted until the end of the harvest.

This rainy period gave a new impetus to ripening. Cabernet Sauvignon and late-ripening Merlot grapes benefited particularly from this.

A sunny mid-September and month of October virtually without any rain completed ripening and made for a leisurely harvest

Once again, the month of September was decisive for the quality of the vintage. October was dry and sunny, with cool nights making it possible to wait serenely for the best time to pick all grape varieties.

The rain in early September gave a boost to maturity, which nevertheless took more time than usual to be reached. The sunshine and relatively cool night-time temperatures were conducive to the unusually large accumulation of phenolic compounds, as well as the preservation of aromas and acidity.

These weather conditions stopped grey rot from developing, except in certain parts of Bordeaux where fairly heavy rain in early September forced winegrowers to pick early.

The rain in early September, followed by a dry, but not excessively hot period, ensured that ripening would start up again – the fourth condition for a great red wine vintage. The month of October was just as sunny, but cooler, enabling the Cabernets to ripen fully. 

Despite the heat in June and July, the 2016 vintage was not particularly early.

The dry white wine harvest began in the Graves and Pessac-Léognan appellations at the very beginning of September, about one week later than in 2015. After a remarkably dry month of August, the grapes were in perfect condition, without a trace of grey rot. Although they quickly attained sufficient sugar levels, their potential fruitiness, which had stayed in the background for a long time, also came to the fore at the end of ripening. The showers in mid-September did not have a major effect on the grapes, which could be picked without any need to hurry. Yields were very satisfactory, especially for Sauvignon Blanc, where such prolific production had not been seen in years.

The freshly-picked grapes had lower sugar levels than in 2015, but in keeping with the previous 5-year average. Total acidity was slightly lower than in 2013, 2014, and 2015, and similar to 2011 (Table IV). The balance between sugar and acidity gave rise to hopes that 2016 would be a good vintage for white wines, especially those from soils where they are traditionally successful (limestone, clay-limestone, and clay-gravel) and which are conducive to retaining good acidity.

The red wine harvest began with the most early-maturing plots of Merlot in the third week of September, but most grapes were picked in early October, i.e. one week later than usual. Harvesting of the Cabernets and Petit Verdot went on until just after mid-October during sunny weather.

Therefore, the fifth and final prerequisite for a good red wine vintage – fine weather during the harvest – was perfectly fulfilled in 2016.

Ideal conditions for harvesting excellent quality grapes

The red wine grapes in 2016 were characterized by a reasonable degree of potential alcohol and an outstanding phenolic composition.

As opposed to other French regions adversely affected by violent weather, the vintage in Bordeaux was generous. This can be explained by the large number of grapes per cluster as well as their size.  Because water stress manifested itself rather late, the berries were comparable in weight to 2015, but lighter than in 2010. The very low malic acid content – the lowest since 2009, except for 2011 – was due to the hot, dry summer weather.

These meteorological conditions enhanced the degradation of isobutyl-methoxypyrazine. This compound, responsible for “green pepper” aromas in Cabernet, was practically unable to be detected from the very beginning of the ripening.

Alternating cool nights and sunny days in September was conducive to the remarkable accumulation of anthocyanins. Content was higher than in 2015 or 2009, and close to 2011. Extraction took place slowly and varied according to grape variety. Extractability was greater for the Cabernets than for Merlot – proof of excellent maturity in the later-ripening varieties. Colour was deep and the tannin in the seeds was most often ripe and of high quality in 2016.

Due to the lack of rainfall until mid-September, botrytis took its time to appear and so grapes in Sauternes and Barsac were essentially concentrated at first thanks to raisining. However, showers on the 13th and 30th of September triggered the development of noble rot on perfectly ripe grapes, and their concentration was enhanced by the return of fine weather. Picking during the second trie, or pass, constituted the lion’s share of the best part of the harvest, which lasted until early November. The quantity of wine made at several estates reached a record high.

 Good dry white and sweet white wines, and outstanding red ones

The 2016 dry white wines are good. They are fruity and flavoursome, less acidic than the three previous vintages, and well-balanced. The Sémillon wines were especially successful in 2016, adding body and softness to the blend, but without heaviness.

The great wines of Sauternes and Barsac are extremely pure. Very rich and showing candied fruit overtones, they display a style that emphasises power rather than bright aromatics or freshness.

At the beginning of ageing, the 2016 red wines give every indication of being outstanding. They have an amazing colour. They are also fruity, without any herbaceousness, and combine the tannic power of great vintages with a deliciously velvety texture. Their relatively high level of acidity gives them an admirable freshness and tremendous balance, without any hardness. The vintage is unprecedented, more classic than 2009 or 2015, and seems to have very long ageing potential.

 

Book review: “From Yquem to Fargues” by Alexandre de Lur Saluces

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At the age of 82, Alexandre de Lur Saluces has written a book telling us of his trials, tribulations, and joys in the many years he has made world class wine in Sauternes.

d’Yquem à Fargues – l’excellence d’un vin, l’histoire d’une famille” was published by Gallimard in November 2016.
https://www.amazon.co.uk/s/ref=nb_sb_noss/253-1422515-3899335?url=search-alias%3Daps&field-keywords=d%E2%80%99Yquem+%C3%A0+Fargues
Gallimard (one of the largest French publishing houses) only distribute the French version.
However, an English version does indeed exist, and can be ordered directly from the château :
www.chateaudefargues.com/librairie
or
https://www.chateaudefargues.com/en/bookstore/

This relatively short (175 pages), but many-faceted book is a very interesting and entertaining read. There’s even a section on “Sauternes in Literature”. It has a handsome royal blue and gold binding, as well as the crown all wine lovers will recognize from the labels of both Yquem and Fargues.

The book is divided into several parts: a forward by Natacha Polony (a French journalist and essayist of Polish origin), a preface by Marguerite Figeac (a professor of history at Bordeaux University), an introduction and a conclusion by the author, a postface by Jean-Paul Kaufmann (a journalist, writer, and noted lover of Bordeaux wines), and a series of appendices on various technical and historical subjects.

One is struck by Alexandre Lur Saluce’s modesty, candor, grounding in his rural environment and, of course, his deep sense of history. Château de Fargues has been in his family since 1472. He represents the 15th generation and has produced 48 vintages there…

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Château d’Yquem

The Lur-Saluces name will, of course, forever be associated with Château d’Yquem. This came into the family when Louis-Amédée de Lur Saluces married Joséphine de Suavage in 1785. At one time, the Lur Saluces owned some 700 hectares in Sauternes (over a quarter of the combined present-day area of Sauternes and Barsac), including châteaux de Malle, Filhot, and Coutet.
Alexandre de Lur Saluces was in charge of Yquem for 36 years, from 1968 to 2004. The sale of the estate to LVMH involved a long bitter fight, but this is wisely dealt with dispassionately and in summary fashion. That is not the point of the book.

What is the point then? In fact, there are several. The book is necessarily autobiographical (for instance, I was unaware that Alexandre was the 8th of 9 children), but also describes the renaissance of Château de Fargues and goes into considerable detail about the making of one of the world’s great wines: Sauternes. That is because Alexandre de Lur Saluces has always been a sterling ambassador for Sauternes as a whole, not just his family estates. He has clearly lost none of his sense of wonder at the transformation by Botrytis cinerea of grapes grown on a unique terroir to produce a wine like no other. And he is very concerned about the appellation’s future. He points out the danger of a proposed TGV high speed train line that would upset the region’s delicate ecosystem, decries the production of dry white wine at the expense of one of the world’s great sweet wines, and criticizes the lack of commercial support from Bordeaux négociants.  He also writes about matching Sauternes and food, a subject that often puzzles wine lovers.

One must admire Alexandre de Lur Saluces’ ability to rebound after leaving Yquem and invest his energy in the renovation and expansion of Château de Fargues, an estate that has gone from strength to strength. This is described in a lively way and illustrated with beautiful photos.

I would recommend this book by one of Bordeaux’s greatest figures to anyone with even a passing interest in Sauternes. It is informative, entertaining, thought-provoking, in easy-to-understand French, and full of anecdotes.

La Tour de Bessan, a Margaux worth discovering

 

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It would not be entirely accurate to say that Marie-Laure Lurton belongs to a well-known wine family… In fact, it would be much more apt to say she’s from a virtual dynasty, with huge landholdings throughout Bordeaux (1,300 hectares at 27 estates). However, Marie-Laure is no figurehead daughter looking after marketing and public relations… She’s a hands-on winemaker with a degree in enology and years of experience working at the family châteaux prior to acquiring two of her own. A measure of the woman’s stamina and character is that she was training for the Marathon du Médoc when I met her this summer.

Marie-Laure owns and manages Château La Tour de Bessan in the Margaux appellation and Villegeorge in the Haut-Médoc appellation. She is the mother of three children.

I asked Marie-Laure a question that fascinates lovers of Bordeaux. Since nothing would legally have prevented it (the 1855 classification is not subject to appellation controlée laws, and has not been changed since 1973, when Mouton Rothschild was promoted from a second to a first growth), why was La Tour de Bessan not purely and simply integrated into Brane Cantenac or Durfort Vivens, both second growths belonging to the Lurtons – and selling at a much higher price? Her answer was very nuanced and had much to do with agreements made within her family taking existing situations into account. Let it suffice to say that Lucien Lurton acquired La Tour de Bessan in the 1970s and preferred to keep the estate separate.

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I was intrigued to discover La Tour de Bessan because I had rarely had the wine. I was not alone in erroneously thinking of it as a second wine of Brane Cantenac. The vineyards are located in three different communes: Soussans, Arsac, and Cantenac. The eponymous tower in Soussans dates back to the 13th century – predating the one at Château Latour in Pauillac, who therefore did not ask the Lurtons to change the name to just “Tour de Bessan”, as they did to other châteaux called “La Tour something or other”.

La Tour de Bessan was acquired by Lucien Lurton in 1972. Marie-Laure worked with her father from 1984 to 1991. He handed over full winemaking responsibility at La Tour de Bessan in 1992. Marie-Laure was not spoiled for her first vintage since the year was extremely difficult and challenging. She has since acquired precious experience running the estate, and her wine was sold on the Place de Bordeaux to négociants for the first time in 2010 (the 2008 and 2009 vintages).

Entrance
The 30 hectares of vines are planted with 39.2% Cabernet Sauvignon, 59.6% Merlot and 1.2% Petit Verdot. The soil consists of Pyrenean gravel and viticultural practices are sustainable, as attested by Terra Vitis certification since 2003. The Cabernet is machine harvested, but the more fragile Merlot is picked by hand. In general, picking is always adapted to the condition and ripeness of the grapes in each plot.

Annual production varies from 60-110,000 bottles of the grand vin and 20-40,000 bottles of the second wine, Page de la Tour de Bessan, depending on the vintage. A third wine is sold in bulk to négociants

 

Marie-Laure has been assisted by Technical Director Emilie Roulié, an agricultural engineer, since 1999. The vineyard manager is a Habib Achenglil.

 

La Tour de Bessan
A new cellar was built in 1999. The first thing you notice about La Tour de Bessan is its tasteful, striking, resolutely contemporary architecture. Made of reinforced concrete, the original building dates from 1934. In its present state, it looks like nothing so much as a modern art museum and cannot be compared to anything else in the Médoc.

La Tour de Bessan was included in the Cru Bourgeois classification in 2003. However, like several other well-known estates, Marie-Laure decided to withdraw after a series of upheavals within the Alliance des Crus Bourgeois, and for practical reasons.

 

I tasted through the 2011, 2012, and 2013 vintages of La Tour de Bessan with Marie-Laure Lurton. Eschewing the clichés often used when referring to wine made by women, I would describe the wines as very traditional in style, similar to the ones I tasted when I first came to Bordeaux in the late 1970s. By that, I mean that they are poised, digestible, on the light side, and with a very lacy texture in each instance. They are on the early-maturing side and what I, as a foreigner, see as in keeping with the French taste in wine – light years away from heavily-extracted oaky ones one finds. There is an ethereal aspect that makes them very drinkable and enjoyable.

La Tour de Bessan is also on the forefront of wine tourism (http://www.marielaurelurton.com/fr/oenotourisme/). The château offers a series of options including tasting wine from each grape variety, making your own blend, and leaving with a bottle of it to take home. Another possibility, “Gourmet Day in Margaux”, includes visits to Prieuré-Lichine and Rauzan Gassies in the morning, lunch at the Savoie restaurant, and tours of Kirwan and (of course) La Tour de Bessan in the afternoon.

 


In addition, Marie-Laure has established a partnership with the Officier de Bouche caterer in Margaux (http://www.lofficier-de-bouche.com/). The chef and owner, Mme Gaëlle Benoiste-Pilloire, is specialized in matching food and wine, and has her own professional kitchen. Participants prepare meals and eat them afterwards with the appropriate wines.

What does the future look like for La Tour de Bessan? Marie-Laure’s children have not, as yet, shown interest in taking over management, but time will tell… There is inevitably a time lag between a château’s renaissance and recognition by the marketplace. Marie-Laure has given herself a decade to turn things around completely and will then see what to do next. In the meantime, I wish her the best of luck, and encourage her to keep up the good work.
 

 

Vertical tasting of Château La Conseillante at Max Wine Gallery

 

What is Max Wine Wine Gallery and Cellar?

 

Housed in a splendid town house in the center of Bordeaux, a stone’s throw from the Grand Théâtre, (14 Cours de l’Intendance), Max Wine was opened in 2009 by a Norweigan wine merchant, Henning Thoresen.  It features several Enomatic dispensing machines with inert gas to preserve the freshness of the 48 wines available at any one time – up to and including 1st growths – in 2.5, 5, or 7.5 cl pours.

Customers buy a magnetic card credited with the amount of their choice and taste what they want, how much they want, and at their own pace.

Max Wine Gallery also has a boutique and offers tasting workshops. I went to one of these on the 8th of December focusing on Château La Conseillante.

There is no need to do a mini château profile here. That is easy enough to find on the Web. Let it suffice to say that La Conseillante has a proven track record and is unquestionably one of the top ten wines in a very small, prestigious – and expensive – appellation.

The estate and wines were presented by Elodie Emonet, in charge of communication and public relations.

 

We started off with two vintages of the second wine, Duo de La Conseillante.
The 2013 had a good color with a purplish rim. The nose was bright, simple, and plummy (damson) with cherry overtones. However, the overall bouquet was one-dimensional. The wine was round and slightly dilute on the palate – a lightish thirst-quenching sort of wine that is ready to drink as of now. There are the rubbery tell-tale Pomerol tannins there and a slight gamey touch, as well as a hint of greenness. Fortunately, the winemaker took vintage character into account and the oak is not overpowering. This reminded me of a sort of luxury version of Saumur-Champigny. A decent enough wine, but the question of value for money comes into play here. 13.5/20
The 2009 Duo was a different kettle of fish. The wine had a lovely color with a deep core, although it was not particularly brilliant. It is just starting to brick on the rim and looked a little older than its age. The nose was very beguiling with fine-tuned oak, as well as earthy, truffle aromas. A lovely feminine bouquet. The wine was rich and fairly round on the palate with a velvety texture and a taste of candied black fruit. Very seductive. Medium-long, sprightly, fresh aftertaste. Superb second wine. 15/20. I believe this retails for about 60 euros and at that price is definitely worth the money.

Next up were three vintages of the grand vin, Château La Conseillante.

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Curiously, we started out with the oldest. I can understand the reasoning, that younger wines might overwhelm a subtle aged vintage. However, I am very conservative here and prefer the opposite order. Be that as it may, we started off with the 1996. At twenty years old this was looking its age, and then some with graduated mahogany overtones. The indescribable (but one tries to describe anyway…) nose featured deep cherry aromas along with leather, forest floor, cherry, and empyreumatic* overtones. It was lovely, understated and sweet, but too indeterminate and not fresh enough. This impression of tiredness carried over to the palate, where the wine was curiously light, but balanced and clearly displayed plenty of class. There was marked acidity here. The tannin will undoubtedly outlive the fruit, which has already started to go. Slightly disappointing for this great wine from a good vintage. 16/20
*empyreumatic: This long, fairly pretentious word is nevertheless very useful to describe certain smells, especially in aged Merlot-based wine. The dictionary defines it as “being or having an odor of burnt organic matter as a result of decomposition at high temperatures <creosote and other empyreumatic oils>” and the word does exist in English. I use it when describing “burnt rubber” aromas, and it is not meant to be negative. If anyone has a better “Anglo-Saxon” word for this, I’d be very grateful to know!

 

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The 2006 was very different, and probably reflects a more modern approach to winemaking as well as its relative youth. The color was a little lackluster with a very deep core and just starting to show some age on the rim. There was definite black truffle on the nose along with subtle floral aromas and sweet fruit. The understated vanilla/almond nuances were very attractive. However, the overall impression is underdeveloped at this stage. The wine was powerful and mouth-coating on the palate, but stops a little short on the aftertaste. The tea-type tannin was velvety – great texture! Fruit paste nuances add a nice touch. Elodie from La Conseillante said this wine is to drink now or to age. I disagree. I think it needs much more time to strut its stuff. 16/20 now, probably more later. I have a bottle in the cellar and will give it another 7 years or so.

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Last up was the 2010. The color was a little dull, but very dark purplish-red and the wine left thick legs on the glass. There was some reduction on the nose with biscuity aromas, a soupçon of mint, and lots of vigorous primary fruit. There were also complex floral and cosmetic hints. Very elegant, but obviously too young. The wine coats the palate on entry and there was some exotic spiciness there, but also a marked alcoholic presence. However, this alcohol is encased in a soft shell. I had the feeling that the wine was not in such a very good place now, but it shows tremendous potential. There was a lovely creamy sensation and a sexy follow-through with enticing blueberry flavors. Superb tannin, with a rubbery quality (once again, this is not meant to be a criticism). There’s definite magic there. 17/20

 

A dozen 2014 red Graves

 

In the same way as there is a basic misunderstanding of what the word “Bordeaux” means in English-speaking countries (where it is often equated with the expensive tip of the pyramid), the name “Graves” makes many people think only of the region’s great growths – all of which are located in a sub-appellation of the Graves, Pessac-Léognan, created in 1987. To confuse matters, these famous châteaux continue to be called crus classés de Graves rather than Pessac-Léognan…

This northern part of the region (1,500 hectares for Pessac-Léognan compared to 3,500 for the rest of the Graves) is also referred to as Les Graves de Bordeaux since it starts just outside the city. In fact, Bordeaux is actually IN the Graves, and until recently there were actually one or two wine producing estates within the city limits!

Many Anglo-Saxon consumers also think of white wine when they think of Graves. However, the 43 communes in the appellation produce 70% red wine…

 

I was invited to an awards ceremony, the Trophée des Grands Crus de Graves, on November 16th at Château de Portets. On this occasion there were about 40 red wines to taste and perhaps 30 white wines. The room was rather crowded and tasting conditions not ideal, but here are my notes for a dozen red wines.

These were all from the 2014 vintage.

The overall level was quite good and none of the wines were expensive. Furthermore, almost all of them were showing well just two years after the vintage and will be drinking well quite young.

IMPORTANT: Please consider the points within the following context. I am a tough grader. For me, acceptable wine is 10/20, 12/20 is OK, 14 is quite good, and 15 on up is special.
Also, obviously, we are also talking about wines that cost only a fraction of the grands crus.

 

2014 Château Saint Robert
Color: medium light and very purplish
Nose: fresh, natural, not messed-about-with, and showing uncomplicated red fruit aromas with some candied fruit
Palate: fluid to the point of being a little dilute with vanilla and caramel overtones from oak. Already drinking well. A good commercial style, but with a short finish.
14/20

2014 Château de Portets
Color: not very deep, but brilliant and attractive
Nose: black fruit, especially blackberry. Lacking in concentration. Pure and sweet but not confected.
Palate: Starts out round, mouthfilling, and sensual, but then drops before picking up again on the finish, which features round, slick tannin. Juicy, simple, and delicious for early drinking.
14/20

2014 Château de Castres
Color: youthful, not deep, and not perfectly limpid
Nose: off, acetic acid?
Palate: the round, simple, easy-going side damaged by searing acidity. Not rated. Not successful, but would be drinkable with food.

 

2014 Vieux Château Gaubert
Color: deeper than most of the wines, quite nice
Nose: good cherry aromas overlaid, but not overwhelmed by oak. Simple, but classy.
Palate: Big and chewy. Melts in the mouth. A wine that seems more well-made than a vin de terroir, but quite elegant. The only flaw is the short aftertaste.
14/20

2014 Château Chantegrive
Color: good, looking a little older than its age
Nose: strong toasty oak and blackberry fruit. Modern and vital.
Palate: Plenty of volume and quite round, but hollow on the middle-palate and fairly oaky. This oak influence is too great for the wine’s intrinsic structure.
13/20

2014 Grand Enclos du Château de Cérons
Color: medium deep and not very brilliant
Nose: some jammy fruit and brambly aromas. Subtle, but lacking in character.
Palate: Juicy, old-fashioned type of wine. Short and simple.
12/20

 

2014 Château Lassalle
Color: lovely and deep
Nose: delicate balance between fruit and oak.
Palate: suave, fluid, and typical of its appellation. Classic and understated. Maybe a little dry on the aftertaste, but very nice indeed. Suitable for fine cuisine.
14/20

2014 Château d’Uza
Color: deep and fine
Nose: bright upfront berry fruit and attractive oak that is not overdone
Palate: round, delicious, and strangely Pinot-like! Shortish finish and in a non-traditional style, but sexy.
14.5/20

2014 Château Lagrange
Color: medium-deep
Nose: smoky Graves aromas and fresh fruitiness, but not much substance
Palate: sharp, angular, and somewhat bitter. These qualities will not disappear with age. Tough (rather than rustic) tannin.
10/20

2014 Château Jouvente
Color: purplish-red
Nose: ethereal, but too understated.
Palate: very soft cushioned attack, then sinks into a hole, then rebounds with an aftertaste that a bit too hard compared with the wine’s overall feminine profile.
11/20

2014 Château de Landiras
Color: little cloudy and not very deep
Nose: seemed wimpish, but there’s some subtle blackberry fruit lurking there and a faint sweetness that might become more expressive with aeration (the bottles were uncorked and served).
Palate: foursquare but somewhat weak on the middle palate. OK, but lacks depth and length.
11/20

2014 Château de Lionne
Color: good, medium-dark
Nose: musty with camphor and minty notes making this more odd than attractive
Palate: some leather and black fruit, but in minor mode. Honest, but unremarkable and short.
11/20